As its title indicates, John Mullen’s book addresses popular song in Great Britain during the First World War (1914-1918). But what the title doesn’t tell is that it was, in terms of research output, the keystone of the HDR thesis (“Habilitation à Diriger les Recherches”) Mullen submitted in November 2012 at Paris-Est Créteil University – where he has been lecturing British Civilization for years. As such, La Chanson populaire en Grande-Bretagne pendant la Grande Guerre 1914-1918 does comply ..
As the first 'total' war, WWI was a conflict in which every component of civilian life played a fund...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
International audienceDuring the First World War, music-hall played an important role in the war eff...
On 30-31 August 2014, an international conference entitled ‘The Music of War: 1914-1918’ will be hel...
Subtitled ‘The show must go on!’, John Mullen’s book aims at making us hear and see what sort of ent...
International audiencePopular Music Studies has often concentrated on music since 1945, and a wide r...
International audience«Resisting war priorities in song: a comparison of Britain and France» Colloqu...
Article publié sur le site de la British LibraryAlthough popular music from 1914–18 often made no me...
International audienceHistorians, in my view, can be best defined by the questions they decide to as...
International audiencePACK UP YOUR TROUBLES: PERFORMANCE CULTURES IN THE FIRST WORLD WARWednesday 27...
International audienceThis is a talk I gave (in English) at the annual conference of the GermanAssoc...
International audiencePopular song has been regularly referred to in general history books about the...
The First World War and the industrialization of the era changed the world drastically, and much of ...
International audiencePopular music of many kinds has frequently been claimed as expressing a partic...
International audienceIn Britain and France, recent celebrations of the centenary of the First World...
As the first 'total' war, WWI was a conflict in which every component of civilian life played a fund...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
International audienceDuring the First World War, music-hall played an important role in the war eff...
On 30-31 August 2014, an international conference entitled ‘The Music of War: 1914-1918’ will be hel...
Subtitled ‘The show must go on!’, John Mullen’s book aims at making us hear and see what sort of ent...
International audiencePopular Music Studies has often concentrated on music since 1945, and a wide r...
International audience«Resisting war priorities in song: a comparison of Britain and France» Colloqu...
Article publié sur le site de la British LibraryAlthough popular music from 1914–18 often made no me...
International audienceHistorians, in my view, can be best defined by the questions they decide to as...
International audiencePACK UP YOUR TROUBLES: PERFORMANCE CULTURES IN THE FIRST WORLD WARWednesday 27...
International audienceThis is a talk I gave (in English) at the annual conference of the GermanAssoc...
International audiencePopular song has been regularly referred to in general history books about the...
The First World War and the industrialization of the era changed the world drastically, and much of ...
International audiencePopular music of many kinds has frequently been claimed as expressing a partic...
International audienceIn Britain and France, recent celebrations of the centenary of the First World...
As the first 'total' war, WWI was a conflict in which every component of civilian life played a fund...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
International audienceDuring the First World War, music-hall played an important role in the war eff...